Mick Jagger of the Rolling Stones perform on Dec. 8, 2012 at the Barclays Center in Brooklyn, NY.
(Don Emmert/AFP/Getty Images/Getty)
The Rolling Stones used to say there was no reason for them to stop performing because their idols, like Muddy Waters, didn't stop when they got old. But Muddy Waters in his late sixties looked like a full-grown man. Mick Jagger looks like a kid in his twenties with the head of a full-grown man surgically attached. (And don't rule this possibility out.) If The Rolling Stones tour more this year (which is likely), they'll have outlasted Muddy, who died at 70, the age Mick Jagger will turn on July 26.
One of the weirdest things in rock 'n' roll right now is that guys in their sixties and seventies are having a hell of a year. No one planned for this: Leonard Cohen, at 78, is filling arenas for three hour shows, and making records better than the ones he released in the 1960's. Bob Dylan is, at 71, rediscovering -- yet again! -- the spark of his genius in live performance, this time out as a mephistophelian hep-cat telling dead-eyed stories and deadpan jokes about a world gone wrong. On his 66th birthday, David Bowie proved capable of holding the attention of the world media with the surprise release of four minutes and nine seconds of quiet music.
And there's Mick Jagger, at 69, engaging in onstage aerobic activities that would tax the knees of man half his age. It's hard to know what to make of it all.
Jokes come easy, and have for a long time. Fifteen years ago I edited a dismissal of the Stones' Bridges To Babylon that contained the advice, "The prune juice is in aisle 5, Mr. Jagger." And the tweet I didn't send as I climbed up to the balcony of the Barclays Center in Brooklyn to see the Stones play in December, during their brief 50th anniversary tour? "Number of canes spotted on way to my seats at Barclays: 2. Number of walkers: 1. Number of Rascals: 1."
Snarky, and maybe telling. Also stupid, mean and misguided. It misses the point entirely: Fifty years ago, at the start,The Rolling Stones represented a sort of freedom almost impossible for most of their audience to achieve, the freedom to live exactly as they wanted. Fifty years later, they still do, in ways far more poignant and pointed than before.
Granted, it didn't seem very poignant at the time. Just strange. People going nuts more for the opportunity of being there than anything else. Onstage Mick Jagger and Ron Wood were rail thin with dark hair, and Keith Richards and Charlie Watts had gone grey and carried a hint of a human belly above their tight trousers. It was as though Keith and Charlie had decided to be old, while Mick and Ronnie decided to stay 35 forever -- a band evenly split between negotiating with the aging process and defying it.
Maybe that's what made that new David Bowie song so striking. With its lyrics about walking the dead and its static, decidedly unglamorous video, "Where Are We Now?" isn't about defying age or weathering it, the way the Stones or Leonard Cohen can be. It reaches back to Bowie's youth, when he was lost in Berlin at age 30, but without nostalgia. It's less about mortality than dissociation.
Growing old in rock 'n' roll is uncharted territory. One of the oddest things about all this is how many of these guys seemed completely lost in their forties (I dare you to listen to Knocked Out Loaded, released one week after Bob Dylan's 45th birthday), and seem to have figured it out now, just when you think they'd be hanging it up.
What do you think? Is there such a thing as too old to rock? Weigh in below! You can also email us at soundcheck@wnyc.org or leave a voicemail: (866) 939-1612.
Comments [8]
I am a 22 year old whose musical taste leans heavily towards punk and various rock genres. I primarily go see bands in smallish venues (the smaller, the better) and the audience is typically composed of people in high school through mid twenties. The shows I go to do not have seats. Though a lot of the bands I like are aging, "old" usually means forties (not seventies).
My stepmother called me up to ask if I was interested in seeing Leonard Cohen at Madison Square Garden. I was less than enthusiastic but I am not one to prevent someone from seeing their favorite musician (especially on what is supposedly his last tour) so we bought three tickets.
I was expecting a boring show, but I was actually quite surprised. I found his music to be quite enjoyable, but what really struck me was his stage presence. Leonard has this great mix of badassery and generosity (during the show he not only introduced each musician by name and hometown, he also introduced the sound engineer, drum tech, guitar techs, lighting guy, rigging guy, etc).
So no, I don't think there is such a thing as too old to rock.
Never too old to rock... so long as you still rock.
Saw the Newark show live on TV. A very entertaining and MUST SEE experience. Mick and the boys still ROCK :-)Keep them rolling forever.......
I would be more interested in an article entitled; "Is There Such A Thing As "Is There A Point Where You Are Charging Your Fans Too Much To See You Perform Live?"
Being 53 years old, I have seen many great artists who are no longer with us. Although we can never hear 20 year old Mick sing again, we shouldn't deny younger people the chance to hear these legends live. If they hung it up early, I never would have heard BB King, Dizzy Gillespe, Andres Segovia, or Joe Pass live.
As a 54 year old professional, I always scoffed at my husband reliving his younger years listening to these old " foolish " people, playing their youthful songs, now I realize I was the fool. I stand enlightened and now I KNOW
We saw Dylan last year, at age 71 and enjoyed it. There were no riots, nor need for extra security, nor heavy police presence.
Whatever "freedom" came at Rolling Stones concerts 50 years ago, it needed heavy security and loaded police presence.
What is it about some music attended by those dressed in tuxedos and without fear of violence, while other music is adult only (no children) with very strong presence by police due to dangerous behavior?
Leonard Cohen grew stronger and more lighthearted in his long set went on at Barclays on December 20. Had to leave six or seven songs into the encore because my 14-year-old daughter, who bought the tickets, had school the next day.
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